Housewarming Song Ancient Filipino Folk Song 66 !!TOP!!
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Housewarming Song: An Ancient Filipino Folk Song
Housewarming Song is a folk song from the Philippines that is traditionally sung during housewarming parties or fiestas. It is also known as Rosas Pandan, which refers to a fragrant plant that grows in the mountains. The song celebrates the arrival of Rosas Pandan, a woman who brings joy and entertainment to the community with her song and dance. The song also expresses admiration for her beauty and charm, as well as the desire to join her in the festivities.
The song is sung in Visayan, a language family that includes Cebuano, one of the major languages of the Philippines. Visayan is spoken mainly in the central islands of the country, such as Cebu, Bohol, Negros, and Leyte. The song has been popularized by various singers and choirs, both in the Philippines and abroad. One of the most famous versions is by Pilita Corrales, who recorded it in 1974 for her album Philippine Love Songs. The song has also been performed by foreign choirs, such as the Macleans College Choir from New Zealand, who won a competition with their rendition of Rosas Pandan in 2016.
Housewarming Song is a lively and upbeat song that reflects the Filipino culture of hospitality, festivity, and community. It is a song that welcomes guests and invites them to join in the celebration of life and love. It is a song that honors the ancient heritage and traditions of the Filipino people. It is a song that showcases the beauty and diversity of the Filipino language and music.History of Filipino Folk Music
The origins of Filipino folk music can be traced back to the indigenous music of the Austronesian people who settled in the Philippines more than 2,000 years ago. These early folk songs were passed down orally from generation to generation, and many of them remained unchanged for centuries. [^3^] They reflected the diverse cultures, languages, and traditions of the various ethnic groups in the archipelago, such as the Igorot, Ifugao, Maranao, Maguindanao, Tausug, and others. [^1^] They also expressed the joys and sorrows, hopes and fears, beliefs and values of the Filipino people.
During the Spanish colonial period (1521-1898), Filipino folk music was influenced by European music, especially by the Catholic church music and the popular songs from Spain and Mexico. [^1^] Some of the folk songs that emerged during this time were religious hymns, such as \"Ave Maria\" and \"Salve Regina\", or secular songs, such as \"Bahay Kubo\" and \"Leron Leron Sinta\". [^2^] Another type of folk music that originated in this period was the kundiman, a sentimental love song that usually featured a male singer expressing his devotion to his beloved. The kundiman was often accompanied by a guitar or a harp, and sometimes by an orchestra. [^4^] Some of the famous composers of kundiman were Francisco Santiago, Nicanor Abelardo, and Antonio Molina.
During the American colonial period (1898-1946), Filipino folk music was further influenced by American music, especially by jazz, blues, and pop. [^1^] Some of the folk songs that emerged during this time were patriotic songs, such as \"Bayan Ko\" and \"Lupang Hinirang\", or novelty songs, such as \"Ang Pipit\" and \"Manang Biday\". [^4^] Another type of folk music that originated in this period was the bodabil, a form of musical theater that combined comedy, drama, dance, and song. The bodabil was often performed in theaters or cinemas, and featured local and foreign artists. Some of the famous performers of bodabil were Atang de la Rama, Katy de la Cruz, and Dolphy. aa16f39245